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                            This book is based on Tom Phillips' 1988 collage
                            work "The Class of 47", which was exhibited in
                            London at the National Portrait Gallery (see catalog
                            "Tom Phillips -- The Portrait Works, NPG 1989, pp.
                            14-15). Tom Phillips sent copies of the 31 images to
                            American poet Heather McHugh in Seattle, Washington,
                            who then wrote poems about them. Tom then took these
                            poems and transformed them by painting out some of
                            the words. His new text sometimes reaffirms and
                            other times contradicts the poet's interpretation of
                            the pictures. Each page of handmade paper contains
                            the image, expanded and revised both by hand and
                            computer, and hand painted in watercolor in the
                            Minsky studio following the artist's prototype. The
                            poem is set in 14 pt. Bookman Light Italic, and the
                            manipulated text appears as a footnote, also hand
                            colored. This edition is published jointly by The
                            Talfourd Press in London and Richard Minsky in New
                            York, and is limited to an edition de tête of 10
                            copies numbered I-X and 47 copies numbered 1-47.
                            1990.  
                           Pictured is
                              Copy X of the Edition de tête in leather, with a
                              small print hand colored by Tom Phillips inlaid in
                              the cover. Six of the thirty-one pages of images
                              and poems are shown here.  Three additional
                              prints accompany the book in a separate paper
                              enclosure, early prototypes hand colored by Tom
                              Phillips, containing his notations to the colorist
                              (see bottom right image). 
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