I WANNA BE RIVETED
40th Anniversary
First Edition, from the lost tape in
the original, never released 1981 letterpress printed jacket
Old Man Rivet and the Rivetheads
Live at the Allan Stone Gallery
opening of the Richard
Minsky exhibition May 5, 1981
Jacket
Minsky performing as Old Man Rivet, May 5, 1981
Design by Pat Gorman, Photo by Peter Seidler Printed letterpress by
Minsky in 1981.
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At the Allan Stone Gallery in the spring of 1981
I exhibited photographs, bookbindings, and Minsky in London, an
artist book about my experience as US/UK Bicentennial Fellow. I asked Allan if I could do a musical performance,
and he said “sure.” Since the opening was from 4–6 on May 5 I composed a
five minute piece for five musicians to go with the date 5/5, and performed it at 5:55, with a 6-foot oil on canvas I painted as a backdrop.
I had been working on a few projects with Rosalind Solomon, who extended her
photographic practice into books, sculpture and installations, including
sound recordings made in remote locations. She had a nice tape recorder, and
volunteered to capture the audio of the performance. When we started to play
everybody crowded in front of her. The sound on the tape was muffled, but I
sent it to a record stamping company anyway to have 7” 45 rpm records made.
It captured the feeling of the event. The composition was post-punk
free-form noise, refined through several rehearsals.
Pat Gorman (1947-2018) designed the front and back for a record sleeve.
Peter Seidler took the photo of me performing as Old Man Rivet. I printed
the sleeves on a Vandercook press at the Center for Book Arts. Then I got a
call from the record manufacturer telling me they couldn’t make the records
because of the sound quality. I asked them to make the discs anyway, but
they refused and sent back the tape. I filed it away in a safe place and got
back to work on other projects.
Jacket (back)
Design by Pat Gorman Signatures printed
letterpress from a photoengraving
The following year I got married and moved. It
didn’t last long—divorced, I moved again and everything went into storage.
In 1984 the Center for Book Arts left the storefront at 15 Bleecker Street
(where I started it in 1974) and moved to a larger space. I reestablished my studio in
the storefront.
Getting back to work I found the record sleeves, but the tape had
disappeared. In 2002 I left NYC and moved to Stockport, NY, filling a shed
with much of the contents of my studio. The pandemic gave me time in 2020 to
go through the drawers of an old filing cabinet. In the back of the bottom
drawer was the tape.
I was afraid to play it, as a nearly 40 year old cassette could
self-destruct, and sent it to George Blood Audio, near Philadelphia, to be
digitized. It turned out there was more than just the performance on the
tape. George digitized all of it. I excerpted some of the conversations
Rosalind recorded while setting up, and the band’s sound check and tuneup.
These are on the CD following the performance—flashback to a lost time now
found.
The CD There are
125 jackets that were printed letterpress in 1981. Originally made to hold a
7" vinyl 45 rpm record, it now has an inner sleeve that holds the CD. A colophon
on the inner sleeve states the distribution.
The Limited Edition sleeve, gray Canson
Mi-Teintes paper
CHOOSE AN EDITION
AND ORDER ONLINE [Inctitutions requiring purchase order, pay
by check, or shipping with invoice click here or
scroll down]
Limited Edition
of the original letterpress printed jacket from 1981 with the inner
sleeve
printed on Canson Mi-Teintes paper using Epson archival UltraChrome HG2 pigment inks.
Approximately 7¼" square format.The CD is printed with the same
UltraChrome inks on a JVC Pro disc.
Edition of 75 signed copies numbered 1-75. Includes free shipping within the USA. Select free shipping at checkout.
$175.00
I Wanna Be Riveted, 1981
Jacket, Canson Mi-Teintes sleeve JVC Pro disc |
$175.00 |
|
Gold Archive Edition
of the original letterpress printed jacket from 1981 with the inner
sleeve
printed on Rives BFK paper using Epson archival UltraChrome HG2 pigment inks.
Approximately 7¼" square format.The CD is printed with the same
UltraChrome inks on a MAM-A Gold Archive disc. The jacket comes in a
cloth-covered box.
Edition of 20 signed
copies numbered I-XX. Includes free shipping within the USA. Select free shipping at checkout.
$375.00
I Wanna Be Riveted, 1981
Jacket, Rives BFK sleeve MAM-A Gold Archive disc, cloth box |
$375.00 |
|
Deluxe Edition
of the original letterpress printed jacket from 1981 with the inner
sleeve
printed on Rives BFK paper using Epson archival UltraChrome HG2 pigment inks.
Approximately 7¼" square format.The CD is printed with the same
UltraChrome inks on a
MAM-A Gold Archive
disc.
The jacket comes in a leather-covered box
Edition of 5 signed
copies numbered A-E. Includes free shipping within the USA. Select free shipping at checkout.
$1,275.00
I Wanna Be Riveted,
1981
Jacket, Rives BFK sleeve MAM-A Gold Archive disc, leather box
PRE-PUBLICATION DISCOUNT
|
$1,275.00
|
|
CD in a standard plastic case
with no jacket orr
sleeve.The CD is
printed with
UltraChrome inks on a JVC disc.
$18.00 + shipping. Orders over $35 ship free. If your
order qualifies, select free shipping at checkout.
I Wanna Be Riveted CD, JVC
Pro disc in a
clear plastic CD case.
|
$18.00 |
|
NOTES
NOTES
is a book of Minsky music, compositions, theory, construction of a Musical
Chair pipe organ, with two CDs. Click the image or link for a page with
details and ordering.
If you
wish to pay by check, please use the order form
below.
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Click here to see other Minsky editions.
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Have you seen Minsky's
exhibition catalogs documenting
more than 1,200 American book covers from 1872-1935 that brought Modernism into people's homes? Together they provide a valuable resource for
curators, catalogers, scholars, art historians, designers, collectors, and
students of material culture.
Many
institutions have acquired them.
American Publishers' Bindings
on the Books of Amelia E. Barr
1882-1919
2016
Trade Bindings with
Native American Themes
1875-1933
2014
The Book Cover Art of
Thomas Watson Ball 2012
American Decorated
Publishers' Bindings 1872-1929
Volume 1, 2006
Volume 2, 2009
Volume 3, 2010
VISIT
THE BLOG:
THE
ART
OF AMERICAN
BOOK
COVERS
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